Nov 10, 2024 | (Upcoming) Simultaneity, Related Talk of SeMA Omnibus: At the End of the World Split Endlessly, Seoul Museum of Art, Seosomun Main Branch, 1F, Sunday, November 10th, 2:00 PM – 3:30 PM |
Nov 8, 2024 | (Upcoming) Simultaneity will be published on November 8th (Published by Workroom Specter) |
Nov 9, 2024 | (Work in progress) Film shoot of Simultaneity, Portrait |
Aug–Nov 2024 |
time-based installation
2011
Single channel projection, 6 channel audio
4 min 6 sec loop
(screening) Focus On #3 Min Oh
Total Museum, Seoul, KR
Liebes Ding – Object Love
Museum Morsbroich, Leverkusen, DE
Object Love
Museum de Domijnen Hedendaagse Kunst, Sittard, NL
(screening) La Nuit de l’Instant
Marseille Expos, Marseille, FR
Alice’s Adventures in Wonderland – Virtual Reality
Suwon Museum of Art, Suwon, KR
Wellknown Unknown
Curated by Sungwon Kim. Kukje Gallery, Seoul, KR
WinterSalon
Museum Van Loon, Amsterdam, NL
Rijksakademie OPEN 2011
Rijksakademie van Beeldende Kunsten, Amsterdam, NL
(Exhibition Publication) Mind Game (EN). Written by Sooyon Lee. Published in Young Korean Artists 2014 by (MMCA) National Museum of Modern & Contemporary Art Korea, Gwacheon, KR
(Review) Donkere sprookjes (Dark Fairytales) (NL). Written by Sandra Spijkerman. Published by Kunstbeeld, NL
(Review) Rijksakademie OPEN 2011: Min Oh (NL). Published by Mister Motley, Amsterdam, NL
(Review) Rijksakademie OPEN 2011: Min Oh (NL). Published by Tubelight, Amsterdam, NL
(Review) Verbeten ondertoon bij show nieuw talent (Restrained Undertone During Showing of New Talent) (NL). Written by Lucette ter Borg. Published by NRC Handelsblad, Amsterdam, NL
Concept, Direction
Min Oh
Editing
Min Oh
Filming Location
Rijksakademie van Beeldende Kunsten, Amsterdam
Music
Rhythm passages inspired by
Steve Reich: Sextet
(Part 2)
Performance
Lynn Kocken
Photography
Min Oh
Jakub Straka,
Pyo Ahn,
Reinilde Jonkhout
Reinilde Jonkhout
Post-Production
Min
Set
Min Oh,
Moonsik Kang
Sound
Min Oh
Elaine Szeto
Min Oh,
Elaine Szeto
Style
Min Oh
Junggon Han
Thanks to Corine Datema, Gert Jan Kocken, Lewis Kocken
With the support of Rijksakademie van Beeldende Kunsten, Amsterdam, NL; Arts Council Korea, KR