2025	(Upcoming) SIMULTANEITY, Performance, Seoul
2024–5	(Work in progress) SIMULTANEITY, Interview; Conference; Portrait
Nov 8, 2024	My new book – SIMULTANEITY – is published by Workroom Specter. Available also at Aladin, Kyobo, Yes24.

Marina, Lukas, and Myself

time-based installation

2014

in collaboration with Marina Colomina, Lukas Huisman
3 channel film, 6 channel audio
24 min 19 sec

Video Excerpts

Film Stills

Installation Views

Presentations

2018
2018 Title Match: Hyungkoo Lee vs Min Oh
(SeMA) Buk-Seoul Museum of Art, Seoul, KR
2014
Young Korean Artists 2014
(MMCA) National Museum of Modern & Contemporary Art Korea, Gwacheon, KR

Press

2018
(Exhibition Publication) Towards the Perfection of the Unrehearsable, and Towards the Rehearsal of the Imperfectible (EN). Written by Haejin Pahng. Published in 2018 Title Match: Hyungkoo Lee vs Min Oh by (SeMA) Seoul Museum of Art, Seoul, KR
2016
(Text Interview) A / B Min Oh and Haejin Pahng in Conversation (EN). O-K-U-L-O (journal of cinema and the moving image) No.3. Published by Mediabus, Seoul, KR
2016
(Video Interview) Experimenting on Musical Structure (KR/EN). Organized by Hello!Artist, Naver TV, Seoul, KR
2015
(Review) Focus: Youth, Heavy or Light (KR). Written by Hyun Jung (critic). Published by Art in Culture, February, Seoul, KR

Credits

Concept, Direction
Min Oh
Editing
Min Oh
Filming Location
Reinilde Jonkhout Studio, Amsterdam
Performance
Marina
Jeroen Bakker,
Marina Colomina,
Eva Honings,
Amy Pender,
Yuri Peters
—
Marina Colomina: Exquisite Corpses (2012)
Lukas
Lukas Huisman
—
Steve Reich: Piano Phase (1967)
With kind permission of Universal Edition AG, Vienna
Myself
Min Oh
Photography
Camera
Min Oh
Filming Assistant
Ronja Andersen,
Reinilde Jonkhout,
Polina Vasilieva
Light
Reinilde Jonkhout
Post-Production
Color
Min Oh
Set
Prop Design
Min Oh
Prop Production
Min Oh,
Vincent de Rijk Workshop
Set Production
Benjamin Roth,
Min Oh
Sound
Design
Chosun Hong
Sound Recording
Chosun Hong,
Lukas Huisman,
Jaehong Moon (Mong and Works)
Sound Editing, Mixing
Chosun Hong
With the support of Dommering Foundation, Amsterdam, NL; (MMCA) National Museum of Modern & Contemporary Art Korea, Gwacheon, KR; Samsung Foundation, Seoul, KR